Intercultural Design - Project 3 | Final Output


15/03/2024- 29/03/2024 (Week 6-Week 8)
Lizzie Tanaka (0362065)
Typography | BDCM | Taylor's University
Task 3: Final Output 


INSTRUCTIONS


Instructions: 
Produce an outcome reflecting our interpretation of cultural sensitivity with considerations of cultural and aesthetic aspects, utilizing data collected previously

Week 6-Week 8

1. PROCESS

A. SKETCH & RESEARCH

During our trip in Japan, we have decided to do a set of three kanzashi based on the Osaka perfecture; Osaka, Kyoto, Nara. On week 5, we met up physically to finalize the data gathering (task 2) and start the sketch. We decided to split the team into three smaller groups. 

- Osaka (Tsumami Kanzashi): Ying Ying & Velicia
- Kyoto (Hana/Bira-bira Kanzashi): Emily & Tao Yuze
- Nara (Kushi Kanzashi): Lizzie & Aisya

On Friday, Aisya showed me her sketch of the kushi kanzashi and I ended up adding some elements to the sketch. At first thought, I liked the sakura tree Aisya drew but I thought that it was too simple so I suggested a sakura in the center and to remove the deer and replace it with some deer patterns that gradually lessens as it goes up. We ended up doing the sakura and the deer patterns but added the deer. 

Fig 1.1 Kushi sketch

Upon feedback, we were told that our sketch looks more like a replicated product. Mr Asrizal advised us to try to find why people no longer wear traditional kanzashi anymore and why it's a dying tradition. We should be able to create something more subtle and not too explicitly 'Japan.' With this, our group had a new goal of finding out why we chose kanzashi to represent Japanese culture why we choose the 3 cities, and why traditional Japanese accessories are becoming a dying tradition. We also had to analyze each artefacts and start sketching by week 6. 

On week 6 (Wednesday), Aisya and I met up to start ideating for our part (Nara). Since Mr Asrizal adviced us to do something more subtle, we decided to do a claw clip. We thought about other hair accessories such as the snap hair clips but ended up choosing a claw clip because we noticed that almost everyone wears claw clips. 
Fig 1.2 Final Sketch

- Why this certain shape: This certain shape of claw-clip reminds us both of how some kushi combs look like. Kushi is not commonly used in Japanese' daily lives anymore but historically, hair ornaments (kanzashi) and kushi (combs) used to be so crucial in a woman's life that it represents social class, marital status, age, and more. Western style hair ornaments did not appear until the modern era. Hair ornaments became family heirloom, passed down until it broke down. Kushi also means suffering and death from 'ku' and 'shi' so gifting hair ornaments were considered misfortune. Source 
- Sakura: A famous and commonly used in most Japanese items, is still relevant up to this day. Sakura symbolizes both death and the beginning of something new. Source
- Pearls: Symbolizes health and longevity. In the past, it was also called 'white gems' and was used as offerings to gods. It was used as general decoration but only on hair ornaments. Japanese pirates used it on omamori which is Japanese amulet. In present days, pearl necklace is commonly given to children who are becoming independent as a sign of good luck in facing various difficulties during adulthood. Mother-in-laws also give pearl jewelries to brides as a symbol of acceptance. Source
Fig 1.3 References and inspiration

Around the beginning of week 6, Emily and Ying Ying told us that we can do 2 kanzashi instead of 3, representing traditional and modern Japan. Since ours were already quite modern-looking, we decided that we'd both do the modern part while the rest did the traditional part. Starting from 18th March (week 7), Aisya and I worked on our output since we had to finish it before 23rd March (we had already booked a ticket to go home). Fortunately, Emily, Ying Ying and Velicia were in Malaysia so they could work on their kanzashi. 

1. Traditional kanzashi: Emily, Ying Ying, and Velicia
[Click their names to check their blog for more details]

2. Modern kanzashi: Lizzie & Aisya

B. THE MAKING

For the claw clip, we had to stray away from our sketch since the size would be too small. We chose a similar shaped one which was bigger in size. We bought the claw clip through online shopping. 

Tuesday, 19 March 2024

Fig 1.4 Materials needed (glue & paintbrushes not photographed)
(19/03/2024)

Fig 1.5 Paintbrushes
(19/03/2024)



We thought about doing our sakura and incorporating the fabric we bought in Osaka. We began by making the flower using clay. We could only find the paper based clay and had to work with it. On the first meeting, we decided to create 5 petals so that it would be easier for us to wrap it with the fabrics. 

Wednesday, 20 March 2024
We decided to do 2 flowers and so we made 5 more petals. Progress here was so slow unfortunately. We managed to re-do some petals that looked too different in size and shape. 

Thursday, 21 March 2024 
Decided that painting would be better because the fabric would wrinkle on the edge of the flower and would look weird. After we began painting the petals, we attempted to stick each petals on the claw clip but it was too hard and it looked messy. Promptly decided to re-do the flower by making it at once, using a petal we liked as a mould for the other petals. Aisya also made one alongside mine. While it was drying, we tried gluing the pearls to the claw clip using super glue. The super glue got to Aisya's fingers and we panicked for a while before deciding to get regular liquid UHU glue to be safer. Then the claw clip broke and a part of it chipped away. Thankfully, we bought two claw clips just in case. 

Fig 1.6 Painting the petals
(21/03/2024)

Fig 1.7 Attempt #1 gluing the pearl
(21/03/2024)

Fig 1.8 Re-doing the flower
(21/03/2024)

Fig 1.9 Chipped off part of the claw clip
(21/03/2024)


Friday, 22 March 2024 
This was our last day to work on the output, we spent 9 hours finalizing it. We painted it in several layers, and decided to coat it so that it looks glossy. My flower broke when I was painting it (used too much water for the gouache paint), so we used Aisya's flower. Instead of buying, we used the liquid UHU pen and covered the flower in it, leaving it to dry. We began gluing the pearls again, this time successfully. Gluing the flower was not as easy as we thought it would be. Took us several tries to get it to the wanted position. Aisya did most of the gluing part 

Fig 1.10 Sticking the flower
(22/03/2024)


Fig 1.11 Adding details
(22/03/2024)

Fig 1.12 Coating
(22/03/2024)

Fig 1.13 Final result
(22/03/2024)

2. FINAL RESULT 


Fig 2.1 Final claw clip (1)
(22/03/2024)

Fig 2.2 Final claw clip (2)
(22/03/2024)

Fig 2.3 Pearl focus
(22/03/2024)

Fig 2.4 Flower focus 
(22/03/2024)

Fig 2.5 Claw-clip example of use
(27/03/2024)



Fig 2.5 Final Slides
(28/03/2024)

FINAL PRESENTATION
Fig 2.6 Final Presentation

Jump Links



FEEDBACK

Week 5
Our sketch was looking more of a replicated product. Try to find why people no longer wear traditional kanzashi anymore, find more about kanzashi being a 'dying tradition'. We should be able to create something more subtle. 

Week 6
We showed Mr Asrizal our sketch and he said we can proceed to making the output.


REFLECTION

Throughout the 8 weeks, I've learned a lot through this project. I got to know more about Japanese culture and history which was an interesting process. I've also gained more experience and skill in terms of design knowledge and practice, both digitally and manually. Most importantly, I think I learned that being in a random group with people you barely know is not an easy task. At first, our group feels like a disaster because we all were confused and there was no clear direction of where our idea was heading to. Ensuring communication goes smoothly is not an easy task to do when everyone is fluent in their own language, misunderstandings happen in the midst of it. However, I've learned to be more proactive when sharing an idea or critique. I'm grateful for my team members who (mostly) are very hardworking and constantly goes beyond the instructions. 

I find that groupwork is never an easy task but to be able to pull this off requires all of us (most of us) working together, actively sharing ideas, accepting critiques and opinions, and being open to other perspectives. By the end of this project, I'm thankful for the majority of my group members who have contributed a lot to pull this off. 

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